TOM is laid on his bed, looking up at the camera/ceiling, his arms behind his head.
Cut to a shot from the side, TOM still looking at ceiling. He then turns to look at the camera. Point of view shot of a clock which reads 10pm.
Camera changes back to being above him as he looks at the ceiling again.
Night changes to Day, he looks at the clock.
Point of view shot 8am.
Cut to a shot from the side, TOM still looking at ceiling. He then turns to look at the camera. Point of view shot of a clock which reads 10pm.
Camera changes back to being above him as he looks at the ceiling again.
Night changes to Day, he looks at the clock.
Point of view shot 8am.
TOM wipes under his eyes as if he was wiping tears away. He then gets up and sits on the end of the bed. Camera change to looking directly at him as he sits there, he then gets up his head above the camera then he walks past.
A shot from above as he walks down the stairs. The camera quickly cuts to where it was when TOM entered the house in a previous scene. This time he leaves his bag on the floor and rushes out the door.
The instrumental enters COLD WAR KIDS – SAINT JOHN .
EXT. STREETS NEAR TOMS HOUSE.
As he gets through the door, he stops briefly, giving the camera enough time to catch up with him, over the shoulder as he walks out, the GIRL stood at the gate staring at him as he leaves. He turns his head to look at her as he does.
As he walks down the path the GIRL is stood just on the grass next to the path as he walks by this time he blanks her. After he passes her the camera cuts to the front, a medium close up of his shoulders and head as the girl is stood behind him just staring at him. He keeps walking fast and determined. A tracking shot of him showing how fast he’s going.
A cut the camera is just behind TOM the camera starts at the back of his feet, we can see the GIRL ahead again, the camera slowly starts to rise up to an over the shoulder shot as we get closer to the GIRL.
Eventually TOM gets to the road, he stops suddenly, a shot of his feet on the edge of the curb. Then a profile shot of him stood there. Another cut, medium close up of shoulders and head, the GIRL stood in the background. He closes his eyes.
Shot of his legs as he steps of the curb and into the road.
MUSIC STOPS SUDDENLY.
Screen goes black, and we hear the crash and a heartbeat flatlining.
CREDITS ROLL.
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